DAVID GOODE 2000 LTD ED 17/200 Bronze SCULPTURE goblin
$800
signed: DAVID GOODE 2000 — numbered 17/200 — Bronze wall SCULPTURE — goblin, elf, fairy, pixie…with a snail on his hat
Approximate measurements 11″ x 9″ x 4″
David Goode sells new ones–from an edition of 500 for 795 English pounds or approximately $860 USD–this sculpture is 22 years earlier and from an edition of 200.
About David Goode: Born in Oxford in 1966, David Goode grew up in the small Midlands town of Leek, Staffordshire, just north of Stoke on Trent. Stoke on Trent, also known as The Potteries, was the heartland of the Victorian pottery industry, and to this day is still home to many world-famous pottery houses such as Royal Doulton and Wedgwood.
At the age of eighteen David trained at The Sir Henry Doulton School of Sculpture, specialising in portrait and figurative sculpture.
In 1988 David became a portrait sculptor at the London Studios of Madame Tussauds.
At twenty-one he was the youngest sculptor ever to have been offered such a position and in his six years with Tussauds he was able to travel the world for sittings with many famous figures.
Some of his most notable works for Tussauds include Freddie Mercury, Joan Collins, Madonna, Michael Jackson, Ronald Reagan and Yasser Arafat.
The following year he produced the Snailmaker, the first piece in what would later become the goblin collection, which was introduced to the public eye at the Chelsea Flower Show of that year.
David has since returned to Oxford, where he now lives and works with his wife Jo, twin sons Jake and Harry and daughter Isabel (after whom ‘Isabel’s Goblin’ was named).
The inspiration for David’s work stretches back to a childhood fascination with myths and folklore, and a love of the writings of Tolkein. All the pieces are cast in bronze, using the ‘lost wax’ process, a method developed by the ancient Egyptians, whereby a new ceramic shell mould is both made and destroyed for each individual piece cast. This is one of the most costly methods of casting but its worth is that the nuance and detail of the original work is preserved in every successive casting. It is a 7-month process of creating a sculpture, from the idea to the finished bronze.